A Global Movement For Climate Solutions - 1066 Words

350. Org 350 is a worldwide natural organization. It was established by creator Bill McKibben with the objective of building a worldwide grassroots development to bring issues to light about human-driven environmental change, to go up against environmental change dissent, and to cut discharges of carbon dioxide keeping in mind the end goal to moderate the rate of a worldwide temperature alteration. 350.org takes its name from the exploration of Goddard Institute for Space Studies researcher James E. Hansen, who set in a 2007 paper that 350 sections for every million (ppm) of CO2 in the environment is a protected furthest utmost to dodge an atmosphere tipping point. 350 main purpose is to cut CO2 emissions and build a global movement for climate solutions. It’s urging natives to activity with the conviction that publicizing the expanding levels of carbon dioxide will weight world pioneers to deliver environmental change and to decrease levels from 400 sections for every million to 350 sections for every million. 350. Org aims to build a global, grassroots movement to take on the fossil fuel industry and solve the climate crisis. Through online campaigns, grassroots organizing, and mass public actions, 350 has mobilized thousands of volunteer organizers in over 188 countries. Atmosphere wellbeing and atmosphere equity for individuals over the globe is a basic part of 350.org s main goal. Summary 350 greatly affects nearby, territorial and national activism. TheirShow MoreRelatedWhat Is The Civil Society Networks Of The Climate Movement?1332 Words   |  6 PagesContention: The Divisive Politics of Climate Change, Jennifer Hadden (2015) investigates the climate movement and the role of contentious actors during the Copenhagen Climate Change Conference in 2009. Hadden (2015) identifies two distinct civil society networks of the climate movement: conventional climate advocacy and climate justice activism. Hadden uses relational theory to understand the decision making processes of the conventional climate advocacy networks and climate justice activism networks. Read MoreThe Pros And Cons Of Global Warming977 Words   |  4 Pagesand these forces with opposing views deny us the ability to reach an equitable solution. Indeed, the insistence that climate disruption deniers are disreputable, to build spurious consensus with ambiguous data, is a gamble! Insomuch as numerous people labelled climate disruption deniers are, in fact, established, and respected scientists. To progress to an equitable lower emissions future, we need to drop the Global warming tag. For example, the term Environmental degradation is a poisonousRead MorePresident Obamas Final State Of The Union1320 Words   |  6 Pages CLIMATE CHANGE IN THE STATE OF THE UNION There are 7.3 billion people on Earth (United States Census Bureau, 2016). More specifically, there are 7.3 billion people who depend on Earth for food, water, and shelter. If there is one thing that every living organism has in common, it’s our dependence on the planet to survive. Unfortunately, since the Industrial Revolution, humans have been systematically degrading the Earth and its resources. 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Evidence shows that huma ns have induced exponential changes in biochemicals that have pollutedRead MoreThe Issue Of Global Climate Change957 Words   |  4 Pagesthe issue of global climate change is not addressed properly, it will create enormous economic challenges that will create huge price tags on the global economy; that is why we need to give much attention by proposing international policy because it will bolster cooperation between countries and international organizations by formulating policies for the general good of society. Climate change plays a key role in our day to day activities. The changes in climate will affect our movement, health, agricultureRead MoreWhat We Know About Climate Change By Kerry Emanuel1140 Words   |  5 Pageswhich compose the atmosphere. What We Know About Climate Change by Kerry Emanuel aims to address this issue of Earth’s vulnerability head-on as it suggests the plausible causes for the undeniable planetary warming observed in the last century all the w hile proposing pragmatic solutions to discontinue the unnatural processes credited with the abnormal warming. Brimming with absorbing and educative statistics and facts, What We Know About Climate Change first chooses to challenge the notion thatRead MoreScience: Global Warming, The Ice Sheets761 Words   |  3 Pagesis the movement of glaciers since the planes went down close to 70 years ago. Since the 1950s the extent and the movement of the ice sheets have rapidly changed due to Global Warming. Most affected by this climate change is The Arctic, Antarctica and the Greenland Ice Cap. Lou Sapienza and his team of specialists only have a hand-drawn map of where the Duck crashed and an old radar survey from years ago. Their daring task is to predict how the movement of the ice sheet accelerated by global warmingRead MoreThe Climate Crisis And Its Effects On The Environment1428 Words   |  6 PagesThe climate crisis is a defining struggle of our age bringing political, economic, religious, and environmental tensions and conflicts to surface. At this moment in history a great transitional w orldview needs to take place, but is depressingly out of reach, and humankind seems woefully unprepared/interested to confront monumental challenges and change. The climate change crisis directly affects planetary boundaries, ecological cycles, and limitations on a domestic and international level. It isRead MoreAustralia Climate Change Essay1301 Words   |  6 Pages 2011). Accordingly, despite progress in achieving economically sustainable solutions to reduce greenhouse gas (GHG) emissions; debates concerning achievable global targets continue amidst exportation of uranium, coal, agricultural products, and domestic coal and steel production industries (Mclellan, 2009). Nonetheless, like all developed nations striving to find cost-effective measures to appropriately address climate change issues without compromising the socio-economic welfare of citizens; Australia’sRead MoreArticle Analysis : The Earth s Natural Resources 1144 Words   |  5 Pagesthat is not sustainable . Consequently, she argues that the ‘overshoot’ of development and depletion of our natural resources will lead to a ‘collapse’ of our global system. She goes on to demonstrate that this theory is being shown through evidence of global warming, acidification of the oceans and deforestation. Maloney argues a solution to these issues through the adoption of Earth Jurisprudence theory, also known as wild law. She argues that the underpinning problem surrounding ecological

Characters, Setting, Themes, and Symbols of Heart of...

Characters, Setting, Themes, and Symbols of Heart of Darkness Deep within the chest of every man, woman, and child beats the heart of darkness. On the surface, mankind has achieved a sophisticated level of civilization. Joseph Conrad forces the reader to peel away the pristine layer of sweetness and see the unaltered truth. Heart of Darkness reveals the true nature that lurks behind every smile, handshake, and conversation. Conrads portrayal of the characters, setting, symbols, and ironies allow the reader to reflect on the true nature of man. Each of the main characters in Heart of Darkness plays a significant role in the overall theme of the novel. The central character is a thirty two year old sailor, Charlie†¦show more content†¦He is a highly-educated, refined gentlemen; yet, in the end, the brutal nature of the Congo forces him to resort to the life of a murderer and pilferer. The name Kurtz itself has symbolic meaning. The physical shortness in Kurtz implies a shortness of character and spirit (Heart of Darkness: A systematic evaluation). Conrad greatly contrasts between Kurtzs two mistresses. He portrays the black mistress as being fierce and magnificent. She is an impressive figure and importantly, her human feelings are not denied. She faces the truth of the situation and the pain because she is able to endure it (Mistress). On the other hand, his white mistress is depicted as being soft-tempered and patient: an illusion of the European society (Mistress). These two women serve the purpose of emphasizing the two images of Kurtz: a barbarous and savage man of an uncivilized society vs. a refined gentleman from civilized Europe. The manager of the ivory company in Africa is essentially the villain of the plot. He is the dark force indirectly responsible for the corruption and decadence in the Congo. Setting is also relevant to the overall theme of the novel. As the plot opens up, Marlow begins to compare and contrast the Thames River to the Congo. He describes both rivers to be connected like an interminable waterway (Conrad 65). Marlow means to say that the two are connected symbolically. Both represent the continual passage forShow MoreRelated Light and Dark Imagery in Joseph Conrads Heart of Darkness Essay594 Words   |  3 PagesImagery in Joseph Conrads Heart of Darkness   Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.   Ã‚  Ã‚  Ã‚  Ã‚  ConradRead MoreSimilarities And Differences Between Heart Of Darkness And Apocalypse Now1023 Words   |  5 PagesApocalypse Now and the novel Heart of Darkness share many similarities including small details, characters, and themes. Both are told from the same type of narrative and have similar settings. There are small differences as well, including the main character’s purpose and how one of the characters dies. The novel is the story of a trip into Africa, which a character is overhearing the retelling of the journey. This is similar to the movie, in which the viewer hears the main character tell his story as youRead MoreHawthorne’s Use of Allegory1212 Words   |  5 Pagesas symbolic of sin, darkness, and the duality within human nature. Thus, The Ministers Black Veil by Nathaniel Hawthorne is a literary work of art that demonstrates the authors use of allegory to highlight the psychological angle of the story and characters. The Ministers Black Veil is an allegorical narrative in which the agents of setting, symbols, characters, and actions come in a coherent way to represent non-literal and metaphorical meanings about the human character. The black veil isRead MoreHawthorne’s Use of Allegory1545 Words   |  7 Pagesthe story as symbolic of sin, darkness, and the duality within human nature. Thus, The Ministers Black Veil by Nathaniel Hawthorne is a literary work of art that demonstrates the authors use of allegory to highlight the psychological angle of the story and characters using agents of symbols, setting, characters, and actions in a coherent way to represent non-literal and metaphorical meanings about the human character (Abrams 7). The most powerful and foremost symbol, without doubt, is the blackRead MoreDifferent Colors Of Darkness By Nathaniel Hawthorne And Edgar Allen Poe995 Words   |  4 Pages2014 Different Hues of Darkness At first glance, Nathaniel Hawthorne and Edgar Allen Poe may appear as though they are two birds of a feather. Their stories are often dark and dismal, and an enduring despair runs through the tales as a common thread. However, their inspirations originate from opposite ends of the spectrum. Hawthorne’s works are the offspring of legalistic Puritan values and beliefs; on the other hand, Poe’s stories reflect godlessness. While the characters of both authors often faceRead More Symbols, Setting, and Ironies of Joseph Conrads Heart of Darkness1201 Words   |  5 PagesSymbols, Setting, and Ironies of Heart of Darkness   Ã‚   Joseph Conrads novel, Heart of Darkness, is about many things: seafaring, riverboating, trade and exploration, imperialism and colonialism, race relations, the attempt to find meaning in the universe while trying to get at the mysteries of the subconscious mind. Heart of Darkness is a vivid portrayal of European imperialism.   The book in other words is a story about European acts of imperial mastery (1503)-its methods, and the effectsRead MoreEssay about Heart of Darkness989 Words   |  4 Pages The Real Heart Of Darkness Heart of Darkness is not only the title of Joseph Conrad’s novella, it is also a main theme. This is portrayed through different images of darkness, black and evil throughout his story. The setting is often used with images of darkness; even as Marlow tells his tale, it is night. This ‘darkness’ is inside many concepts of the novella such as Africa, women, black people, maps, the ivory trade corporation and Kurtz. Through these images on his journey, Marlow has a realizationRead MoreImperialism Within the Heart of Darkness1143 Words   |  5 PagesImperialism within the Heart of Darkness A phenomenon, The Heart of Darkness, is a classic novel by Joseph Conrad, who reward individuals with their dark nature. The darkness that the characters face within themselves is the anchor towards the main theme of imperialism. Native Africans, around the early 1900s, were victims of imperialism in the novel. The Europeans saw themselves as prodigies and felt everyone redundant wanted to be like them for they perceived themselves as extraordinary. TheRead MoreWhat We Talking About When We Talk About Love By Raymond Carver1677 Words   |  7 Pagespeople may have different definitions of it that reflect who they are as a person by using strangle dialogue given by the characters and situations that reveal symbolic items. From the ironic remarks and slight rebuttals in this story, one could infer that the topic of love can bring the worst out of people. Through this story, Carver shows love through the lives of his characters, suggesting that each love is different, and all people h ave different views on it. In What We Talk About When We Talk AboutRead MoreSpeech In Defence Of Matt Groening970 Words   |  4 Pagesworks of Poe, but he has revived the dark romantic theme of the 1850s in a way that reflects the needs of his audience, the current society, and the modern-day person. Because of this, Mr. Groening should be commended, for his transformation of Poe’s works is not precipitous but prudent; not amateurish but attentive; not debasing but dignifying. Let us first take a moment to remove ourselves from this tension, and recollect the era and the setting that inspired Edgar Allan Poe to write the poems and

Causes of Behavioral Disorders in Children free essay sample

A discussion of two main causes of behavioral disorders in children child development and biology. Research into these behavioral disorders suggests that brain chemistry and genetics are responsible for predisposition to the conditions, with environmental aspects also a factor. This paper examines the biological approach looking for the definite genetic cause and the child development approach looking at the impact of the environment. Each of these approaches looks at the problem with a different focus and with each approach comes a different understanding of the nature of behavioral conditions in children. Cognitive development is described by Jean Piagets four stages theory. Piaget describes four stages that every child develops through, where in each stage the child thinks differently, acquiring new thinking skills with every stage. These stages are sensorimotor, preoperational, concrete operational, and formal operational. In the sensorimotor period a childs behavior is determined by looking, seeing and feeling, rather than thinking. We will write a custom essay sample on Causes of Behavioral Disorders in Children or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page In the preoperational period children lack the ability to think logically, they assume their experience is the same as everyone elses, they are unable to rearrange their thoughts and they mix up cause and effect.

The Ins and Outs of a Nonfiction Ghostwriting Contract - The Writers For Hire

THE INS AND OUTS OF A NONFICTION GHOSTWRITING CONTRACT Have you dreamed of seeing a book with your name on it? Would having a book published under your name help get your speaking engagements or enhance your personal brand? Do you have something important to say but don’t consider yourself a writer? Do you want a record of your family history? Are you considering running for office? If so, you may have wondered about hiring a ghostwriter. A ghostwriter is someone who will create content for you that can be published under your name. A ghostwriter can pen anything from the shortest of blog posts to an article for a magazine or a series of books. Hiring a ghostwriter isn’t complicated, but the question of â€Å"what goes in the contract† can be a little daunting. Tweet this Just like in any other industry, the contract will be a written record that clarifies objectives and practical matters from the beginning to make sure you get the result you want. Your contract doesn’t have to be overly complicated, but it does need to clearly set out your expectations, as well as include clauses for termination, payment, and ownership transference. That’s because having a book ghostwritten for you is like having a home built. Just like a home, your book is a work made for hire, according to your instructions. And just like when building a home, you need to make the most critical decisions before you get your contractors started. It would be no fun thinking you were going to get a beach bungalow for large family reunions and ending up with a cozy one-bedroom designed for secluded, romantic weekends for two. So, What Kinds of Things Should Be Included in the Contract for a Ghostwritten Book? Final Deliverable The final deliverable is what you are paying for. The final deliverable is a manuscript. It is ‘the content’ that can be published under your name. A ghostwriting contract typically doesn’t include a cover design or interior design or specific formatting for an e-book or print production. However, many ghostwriters have connections to publishing and design firms that can help with these services. This is something that should be addressed when discussing the final deliverable. In the contract’s deliverables section, you’ll want to include a rough description of the book. The description can include a working title and the genre of your book, for example, â€Å"The History of Arctic Oil Exploration.   A collection of nonfiction essays, each essay being the biography of a person of historical significance.† Your deliverable should also indicate your book’s length. How long should your book be? Well, it depends on what you want it to accomplish. Is it a technical manual or textbook of sorts, to establish your authority? Is it a romance novel as a gift for your beloved? Is it a self-help book with a number of pages for readers to fill in answers to exercises? Is it a memoir of a short period in your life or a longer one? Once the purpose of the book is established, your ghostwriter can advise you on the appropriate length. In the contract, the length of a book should be stated as a range of words, along with a rough page estimate for clarity. For example, 20,000 to 30,000 words is about 100 pages. Finally, whether or not you choose to explicitly state them in the contract, it’s critical to set realistic goals for your manuscript. As Dr. Angela Lauria, CEO of The Author Incubator   www.theauthorincubator.com says: I spent 17 years as a ghostwriter and every single book I was hired to write got done. But what I noticed was that very few were happy with the result the book got them. They told me they wanted a book and I believed them. Writing a book has always been easy for me. But I wanted my clients to be happier. That's when I realized the book was actually supposed to be a path to get them something else. They didn't just want a book on the shelf they wanted the book to create something for them.-Dr. Angela Lauria So, your first task is to get crystal clear on what you want your book to do for you. Dan Gerstein, founder of Gotham Ghostwriters notes two common goals: Your book could position you as a thought leader in business, tech, advocacy, or politics. In this case, your book will serve as the foundation for your authority and help you to secure speaking engagements or sell your services. In some cases the book can be leveraged into workshops and seminars and webinars. Your book tells a story – a cautionary tale or an inspirational tale to help others. This would include memoir and self-help books. Remember that book sales rarely make an author wealthy. You shouldn’t expect to recoup the money you spend on a ghostwriter via book sales. So, if increased income is the goal, it’s up to you to set goals that will allow you to leverage your book for speaking engagements, or c-suite job offers, or the like. Services This part of the contract gets into the nitty gritty. You may think that the services provided by a ghostwriter would be fairly straightforward. They write †¦ right? Yes, but they may (or may not) also proofread, edit, organize, research, and assist with publication of your manuscript. Expecting your book to be proofread is standard, as are a couple of rounds of edits. It is also standard that a ghostwriter will fact check easily verifiable claims throughout the book, to ensure accuracy. A professional ghostwriter with editorial strategy experience will also be able to collaborate with you on determining the â€Å"hook for the book† and creating a book outline. Expect to invest a minimum of 10 to 20 hours of talking time at the beginning of the process to help your ghostwriter to understand your voice and create a structure for your book. Although proofreading, editing, and organizing may be considered standard, you should still outline these services in the contract to minimize any areas where your expectations could be misaligned. Then you get to ‘research’. Research is one of the most unpredictable elements of a project so clearly outlined responsibilities on your part and the part of your ghostwriter is crucial. The subject of the research and the expected amount (in hours) should be specified. For example, â€Å"no more than 30 hours of research total† or â€Å"20 hours of research on great white sharks by November 30.† This way, everyone knows when the work is going beyond the scope of what has been agreed and you can adjust timelines and payments accordingly. Do interviews need to be done? If so, you should specify with whom and by when. If that’s not possible, then you can specify how many hours your ghostwriter will spend tracking down industry experts or celebrities. In almost all cases, your ghostwriter will also need to interview you. You should set a number of hours of expected interview time, as well as outline travel expectations and expenses. Will the ghostwriter need to travel to your home or office? If so, the number of expected in-person visits should be included, as well as listing of any reimbursable expenses, such as gas or airfare. Ideally, your ghostwriter should be able to advise you as to how your book might best fit into the market and suggest publishing options. If you have decided that you will target a traditional publisher rather than self-publish, you may want help with pitching the book to them, and that service can be included in the contract, too. Your ghostwriter or ghostwriting firm may have helped pitch your book to publishers, but a guarantee that the book will be published will almost never be included in a contract. Now, one person may not be able to fulfill all these services, so you may want to engage a ghostwriting firm. Firms can often also assist you with ancillary services such as design, a book website, ebook publishing, and book launch press releases. Choosing a firm can also help you feel at ease that even sickness or death won’t get in the way of your book getting finished! Ownership The ownership of the work transfers to you completely and the contract should be crystal clear on that point. You should have full authority to claim you are the author of the book and may take full credit for it. Since you are the owner, you will have all rights to the work, including film and audio rights, domestic and foreign. You should see something like the following in the contract, â€Å"All rights, title and interest in the following shall be the sole and exclusive property of Author, including: (i) All materials, including but not limited to Word files, PowerPoint presentations, tapes, completed manuscript, the completed project and/or other product resulting from this effort; (ii) The content of the subject matter of the book provided by the author; (iii) Any ideas, works, documentation or notes conceived related to the book; (iv) All writings by ghostwriter related to or associated with the book; and (v) All ghostwriter’s work product related to the Book.† You may also see something that specifies that you won’t be provided full ownership until the amount agreed upon has been paid to the writer in full. Confidentiality You can decide that the ghostwriter’s authorship can never be made public or you can choose to put the writer’s name as a byline on the finished product along with yours. This fact should be specified in the contract, for example, â€Å"the ghostwriter will keep their role in the project confidential. The author is the owner of the manuscript and holds the right to choose the manner and time of disclosure. Permission for the ghostwriter to discuss the project must be given in writing by the author.† Per your discretion, the ghostwriter could be allowed to provide excerpts of the work they did to potential clients. Before they do so, that potential client should sign a non-disclosure agreement (referred to as an NDA). The contract should also specify that you should be told when an excerpt of the work is used in a portfolio. This protects your position as author of the work. Protection There are certain legal protections that you will want to be sure are included in the contract. In fact, these protections will go both ways. It’s called â€Å"mirror indemnification.† These clauses in the contract will say that the writer (your ghostwriter or firm) is responsible for anything illegal that they do and you (the author) bear no responsibility for it. And vice versa. You should be indemnified against any claims and expenses arising from infringement of any copyright or violation of any property rights that may appear in the work. Likewise, your ghostwriter should be protected from anything scandalous or libelous that you choose to include under your name. Ghostwriters should warrant that their work â€Å"does not infringe any copyright, violate any property rights.† You should â€Å"defend, indemnify, and hold harmless† the other against â€Å"claims, suits, costs, damages, and expenses that may be sustained by reason of any scandalous, libelous, or unlawful matter contained or alleged to be contained in the work†. If you aren’t sure if your content will be considered libelous, consult with an attorney. Remember that your ghostwriter is not an attorney. Dan Gerstein notes that this kind of protection was crucial in one particular project that was about a very high-profile controversy where the author was involved in legal issue with the federal government. Work Schedule Do you like face-to-face meetings during which you can bounce ideas around with everyone else and leave with a plan of action? Perhaps your schedule doesn’t allow for that style of working or you find it preferable to receive work from your ghostwriter to look over, take time to consider, and deliver written feedback. You can discuss with your ghostwriter how you would like the working relationship to be set up and your ghostwriter can sketch out a work plan. You might include the milestones (with target deadlines expressed as a date range) you agree upon with your ghostwriter. If you are sure of your desired end date, you can then think backwards with your ghostwriter to agree upon the due dates of the various elements leading up to the finished product (like the first outline and the first draft) to make sure your book is completed by the time you need it. You could include this work plan in the contract, or it may be something that is less formal but still provides everyone with a comforting structure. Final Deadline The expected end date could be a crucial piece of information. Do you have an event at which you’d like to distribute your finished book, for example? The contract can lay out what happens if things get delayed due to the ghostwriter’s actions. You might include a clause that sets out a specific amount to be paid to you for each day that expires after the prescribed final deadline. But remember, the ghostwriter is also entitled to expect you to meet your deadlines. If you are somehow responsible for preventing the work from being completed, for example by withholding required information or not showing up to a meeting, then your ghostwriter is not responsible for the delay and is still entitled to be paid for the work done up to that point. Pricing When negotiating a price, bear in mind that the final fee should take into account all time spent on the project (for example, primary research and interviews), and not just on writing alone. The contract should indicate the amount the ghostwriter will be paid for their work, when they will receive payment, and how they will be paid. You can arrange payment in a number of ways. It’s possible that part of the payment could be paid in the form of royalties (in exchange for a lower upfront fee, the author may share some of the advance and royalties with the ghostwriter). But that is very rare. Many ghostwriters will ask for 50% of their fee up front and take the remainder upon completion. But it is also common for the fee to be paid in installments at the agreed upon milestones, or monthly based on the amount of time spent by the ghostwriter. Disputes No matter how carefully one prepares, life still happens, and you may find yourself at odds with your writer. So, the contract should lay out how disagreements and disputes will be handled. It’s usually sufficient to include a paragraph stating that any dispute, if it cannot be solved by good faith negotiation between the parties shall be submitted to binding and confidential arbitration under the rules of the American Arbitration Association in a particular state, as follows: Any dispute arising from this Agreement shall be submitted to binding and confidential arbitration under the rules of the American Arbitration Association in the state of [state] and county of [county], and any award issued in such arbitration may be entered and enforced as a judgment in any court of competent jurisdiction. The prevailing party in any such arbitration shall be entitled to recover attorneys’ fees and costs. If your ghostwriter happens to be working in a different state from where you live or do business, you have a choice of states and you may want to consult an attorney to get advice on which state to go with. Escape Clauses A complete ghostwriting contract should include an escape clause that works both ways. Sometimes, it is best to terminate a project when things aren’t working out and cannot seem to be remedied or re-scoped. An escape clause should include a predetermined â€Å"kill fee† paid to the ghostwriter. This means that the ghostwriter be fairly compensated for services rendered, even if you are unsatisfied with the results. The Bottom Line Your ghostwriting contract sets basic parameters, so you know what to expect for your money. At the same time, writing a book is a creative process. It is a collaborative process, so don’t hesitate to be honest about what you want the book to do for you and to nurture your relationship with your ghostwriter. Disclaimer:  (Nothing that appears in this article is intended to serve as legal advice; for that you should contact a duly accredited attorney.)